Guitar Lick on 4th April, 2011

Guitar Lick


|--15-12-------------------12-14-15-14-12-14-15-17--19-15-------------------15-17-19-17-15-|
|------------------------------------------------------------------------------------------|
|--------16-12----12-14-16--------------------------------19-16----16-17-19----------------|
|--------------14-----------------------------------------------17-------------------------|
|------------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------------|

|-19-17-15--20-17-------------------17-19-20-19-17-19-17-15--17-14--------------|
|------------------------------------------------------------------16-----------|
|-----------------21-17----17-19-21-----------------------------------17-14-17--|
|-----------------------19------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|


|----14-17--t20-p17-p14--t17-p14--------------------------------|
|-16-----------------------------h16--t19-p16-------------------|
|---------------------------------------------h17--t20-p17-p14--|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|

danielarlington@gmail.com

Dunlop Cry Baby 535Q Wah Pedal

The flagship of the Dunlop wahs. A popular wah thanks to the tone saving true bypass and a handy selector switch that toggles between six wah voicings. Along with the six seperate voicings, there are two mini-pots on the underside of the unit to dial in the desired frequency notch or to boost the output by a whopping 26 dbs! These are a little tough screws to adjust while finding your sound but once you have them set you'll forget about them. The 535Q has the ability to nail just about any wah sound you can imagine. The punchy squawks of the old Voxs, the nasal shrieks of the early Crybabys, and the mid-range honks of the boutique Buddas are all just a few turns away. Add to all this a reasonable price and bullet proof construction, and you can see why this wah is on a ton of pedalboards.

This is an awesome wah pedal with a wide frequency sweep.

 Price = 10,500 INR (approx.) 

"As I Am" by Dream Theater - Solo Licks.

This is the solo for "As I Am" by Dream Theater. I will put the tabs up here tomorrow. So keep visiting back for updates. :)


danielarlington@gmail.com

M Audio Fast Track Ultra 8R

Full Features

24-bit/96kHz professional audio on all I/O simultaneously

High-speed USB 2.0 interface

MX Core™ DSP technology

Monitor with effects while recording

Flexible channel routing options

Expands DSP mixing interface to 16 x 8

8 preamps with award-winning M-Audio Octane™ technology

8 XLR/TRS combo jacks for mic or line-level inputs

20dB pad on each preamp

Signal/peak LED indicator lights

+48V phantom power

2 front-panel ¼” instrument inputs

8 balanced TRS analog outputs

2 analog inserts

S/PDIF digital I/O

Built-in 1 x 1 MIDI interface

2 independent headphone outputs with individual volume control knobs

Rugged, lightweight metal chassis

Full ASIO 2.0, WDM, MME, Core Audio support

Compatible with most major audio production software


This is a brilliant sound card if your have enough cash to spend. 


 Price = 35,000 INR 

Visual Sound V2 Jekyll & Hyde

From its first appearance in 1997, the Jekyll & Hyde was the first pedal to combine two separate effects in one pedal. Now ten years later the new V2 Series gives the same great tone guitarists have come to love plus an added noise reduction system, creating the ultimate guitar dream! Each channel of the newly designed Jekyll & Hyde has separate controls, giving you the ability to use them separately, or together. The Jekyll Overdrive channel improves on the sound of the TS-808 Tubescreamer. With a Bass Boost switch and far more output volume than the original TS-808, this Overdrive far surpasses its predecessor. The Hyde side is a heavier distortion with more bottom end, a separate Mid range control, and even an internal Bass control. All of this adds up to one of the most versatile distortion/overdrive pedals on the planet!

Dimensions: 5" x 6" (126 x 153mm)
Current Draw: 22-30mA


This is an awesome pedal. You get both overdrive as well as distortion in one pedal. There is a good amount of gain. Add it with actives and your ready to shred.


Price = 12,182 INR

Guitar Lick Video/Tab on 27th March, 2011

Blues Lick.

|-10h11p10p8----10----8h9p8-----------------------------------------------|
|------------10----10-------8-6-/5--8p7p5-----------------------------5~--|
|-----------------------------------------8-7--5---7------------------5~--|
|------------------------------------------------7---7-5--------------5~--|
|--------------------------------------------------------7-5-/3-5-3-------|
|-------------------------------------------------------------------7-----|

danielarlington@gmail.com

Guitar Lick Video/Tab on 26th March, 2011 (7 String)

Use a 7 String guitar.

Guitar Ex 1.

|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|-----------------------------------------------------------12-14-15-14-12----------------12-|
|----------12-14-15-14-12----------------12-14-15--12-14-15----------------15-14-12-14-15----|
|-12-13-15----------------15-13-12-13-15-----------------------------------------------------|

|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|-----------------------------------------------------------------12-14-16-14-12-------------|
|----------------12-14-16-14-12----------------12-14-16--12-14-16----------------16-14-12-14-|
|-14-15-12-14-15----------------15-14-12-14-15-----------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|

|------------------------------------------------------------------------14-15-17-15-14-|
|-----------------------13-15-17-15-13----------------13-15-17--13-15-17----------------|
|----12-14-16--12-14-16----------------16-14-12-14-16-----------------------------------|
|-16------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|



|----------------14-15-17~~--|
|-17-15-13-15-17-------------|
|----------------------------|
|----------------------------|
|----------------------------|
|----------------------------|
|----------------------------|

Guitar Ex 2.

|----------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------|
|------------------------------------------------------10-12-14-12-10----------------10-12-14--|
|---------8-10-12-10-8---------------8-10-12--10-12-14----------------14-12-10-12-14-----------|
|-8-10-12--------------12-10-8-10-12-----------------------------------------------------------|

|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|-----------------------------------------------------------12-14-16-14-12----------------12-|
|----------10-12-14-12-10----------------10-12-14--12-14-16----------------16-14-12-14-16----|
|-10-12-14----------------14-12-10-12-14-----------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|

|-----------------------------------------------------------------15-17-19-17-15-------------|
|----------------13-15-17-15-13----------------13-15-17--15-17-19----------------19-17-15-17-|
|-14-16-12-14-16----------------16-14-12-14-16-----------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|

|----15-17-19~~--|
|-19-------------|
|----------------|
|----------------|
|----------------|
|----------------|
|----------------|


danielarlington@gmail.com

Tech 21 SansAmp Tri AC

Tech 21 SansAmp Tri AC



Digitally programmable, 100% analog signal path

This triple channel rig-in-a-box is a no-brainer solution for players needing three hot tones served up fast and easy. Dial up a tone, double-tap one of the three preset footswitches, and it’s saved. Yeah, it’s that easy. Whatever you want, from country clean to nu-metal dirt, the TRI-A.C. will hand over three flavors of the finest SansAmp tones faster than a drive-thru.

The genuine analog SansAmp circuitry features Drive and Level controls, an active three-band EQ, and three selectable amp voicings:

TWEED = Fender®-style
BRITISH = Marshall®-style
CALIFORNIA = Mesa/Boogie®-style

When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure. Each amplifier type has its own tonality and its own input sensitivity. Each interacts differently to the dynamics of your playing style and to the signal level of the instrument.



This is surely one of the best pedals out there. Its NOT a distortion pedal. It is a pre-amp pedal. But it has enough of juice to drive your amp to play killer Metal Riffs.!


Price = 12,000 INR

Guitar Lick Video/Tab on 25th March, 2011

Tabulature for Guitar Exercise.

|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|
|-------2-4-5-4-2--4-5-7-5-4--5-7-9-7-5------------5-7-9-7-5--7-9-11-9-7--9-11-12-11-9-------|
|-2-4-5---------------------------------9-7--5-7-9-------------------------------------12-10-|
|--------------------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------------------|

|---------------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------------|
|---------9-11-12-11-9--11-12-14-12-11--12-14-16-14-12---------------12-14-16-14-12--14-16-17-|
|-9-10-12--------------------------------------------16-14--12-14-16--------------------------|
|---------------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------------|

|-----------------------------------------------------------------------------------------|
|-----------------------------------------------------------------------------------------|
|-16-14--16-17-19-17-16-----------------16-17-19-17-16--17-19-21-19-17--19-21-13-21-19~~--|
|-----------------------19-17--16-17-19---------------------------------------------------|
|-----------------------------------------------------------------------------------------|
|-----------------------------------------------------------------------------------------|


danielarlington@gmail.com

Building The Church Tapping Lesson.

Finally here is the lesson to play the intro to "Building The Church" by Steve Vai. The intro is a two-hand tapping riff.

This piece is really cool and simple to play. Many guys must be wondering that its so difficult and all, but no, its really simple/ Its just a mind game...!!!



|------10------------10----------10----------10----------10----------10------------10----------|
|---13------------------13----------------13----------------13------------------13----------13-|
|---------12------------------12----------------12----------------12------------------12-------|
|-------------10-----------10----------10----------10----------10------------10----------10----|
|-----------------12----------------12----------------12------------------12-------------------|
|----------------------------------------------------------------------------------------------|

|-10----------------|
|-------------------|
|----12-------------|
|-------10----------|
|-------------------|
|-------------------|


Lets look at the tapping sequence in two part, left hand part and right hand part.

Left hand ( positioned from the top of the neck)
I replaced the right hand notes with "xx" so that you can see what the left hand is actually playing. Isnt it simple..??!! Its nothing but just two alternating notes.!
I suggest just practing your left hand at 100 bpm, keeping it really clean, no additional fret noises, etc.

Your left hand palm acts as the string dampner here.

The left hand sequence is played continously as L2 L1 L2 L1 L2 L1 etc.


       L2    L1     L2    L1    L2    L1    L2    L1    L2    L1    L2    L1     L2    L1
|------10-----------10----------10----------10----------10----------10-----------10----------|
|---xx-----------------xx----------------xx----------------xx-----------------xx----------xx-|
|---------xx-----------------xx----------------xx----------------xx-----------------xx-------|
|------------10-----------10----------10----------10----------10-----------10----------10----|
|----------------xx----------------xx----------------xx-----------------xx-------------------|
|--------------------------------------------------------------------------------------------|

  L2    L1
|-10----------------|
|-------------------|
|----xx-------------|
|-------10----------|
|-------------------|
|-------------------|

NEXT,

Right hand
I replaced the left hand notes with "xx" so that you can see what the right hand is actually playing. This is a little complex as compared to the left hand, yet very simple.

Look at this sequence now. 

The left right sequence is played continously as R3 R2 R1 R3 R2 R1 R3 R2 R1 R3 R2 R1 R3 R2 R3 R2, etc.

I recommend practicing the right hand sequence at 100 bpm, again, keeping it really clean with no additional fret noises, etc.

    R3    R2     R1    R3    R2    R1     R3    R2    R1    R3    R2     R1    R3    R2    R3
|------xx-----------xx----------xx-----------xx----------xx----------xx-----------xx----------|
|---13-----------------13-----------------13----------------13-----------------13----------13-|
|---------12-----------------12-----------------12----------------12-----------------12-------|
|------------xx-----------xx-----------xx----------xx----------xx-----------xx----------xx----|
|----------------12-----------------12----------------12-----------------12-------------------|
|---------------------------------------------------------------------------------------------|

     R2
|-xx----------------|
|-------------------|
|----12-------------|
|-------xx----------|
|-------------------|
|-------------------|

Once your comfortable with both hands, then follow the next step.

Now use both hands. The trick here is to play alternating fingers of left and right hand.

Ex. L2 R3 L1 R2 L2 R1 L1 R3 L2 R2 ... etc.

Practice this at around 70 bpm. Once u get comfortable, build up speed.

And there you have it.! A Piece of cake isnt it? ;)  


Any more questions feel free to ask me.

danielarlington@gmail.com

Video for Guitar Lick on 23rd March

This is the video for the tabulature posting on the 23rd of March.

Visit my Blog regularly to find Guitar Videos, Lessons and Licks.

danielarlington@gmail.com

Line 6 Uber Metal.

Über Metal™ brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones from HD147® and Vetta II™ including Metal, Pulverize, and Insane. Also included with the Über Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.

Model Switch - Give this a flick to reconfigure the destructive power of Über Metal.

Metal - creates screaming distortion, from heavy grind to molten metal! Bow down, infidels.

Pulverize - gives you a distortion similar to a high-gain tube amp. Mmmm, it's warm and meaty!

Insane - has more skin-peeling gain and sustain than anything else available. For the inner Samurai-shredder in all of us.

Level - This sets the output level. Higher levels will hit the amp or effect fed by the Über Metal will more signal level, giving your more volume.

Mid & Scoop - Mid chooses a frequency from 250Hz to 4kHz. Scoop then removes sound at this frequency, with maximum scoop at the fully clockwise setting. Turn it fully counter-clockwise for a slight mid boost.

Drive - This controls the amount of distortion created within your Über Metal. Especially when you've got it set high, you may need to use the Gate to tame unwanted noise.

Bass & Treble - Bass and Treble are controls for your low and high frequencies.

Gate Off - Disables the Gate.

Gate 1 - A soft and mild noise gate, self-adjusting to your current Drive knob setting.

Gate 2 - A heavy, fast-clamping gate. Great for those aggressive metal chords and palm muting.

This is an AWESOME Metal Pedal. Use it on your 7-string and kill everyone with that excess gain. It has good EQs and amazing gain.


Price = 7,000 INR (approx.)

Guitar Lick on 23th March, 2011

This is a warm up exercise using groups of 14's (7's).
Use a harmonizer in Em or G Maj Scale

Guitar Lick 1.

|-7-8-7-5--------------------7--8-10-8-7-----------------------8----|
|---------8-7-5-8-7-5-7-8-10-------------10-8-7-10-8-7-8-10-12------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|

|-10-12-10-8--------------------------10--12-14-12-10----------------------------12--|
|------------12-10-8-12-10-8-10-12-13-----------------13-12-10-13-12-10-12-13-15-----|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|

|-14-15-14-12----------------------------14--15-17-15-14----------------------------15--|
|-------------15-13-12-15-13-12-13-15-17-----------------17-15-13-17-15-13-15-17-19-----|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|

|-17-19-17-15----------------------------17--19-20-19-17----------------------------19--|
|-------------19-17-15-19-17-15-17-19-20-----------------20-19-17-20-19-17-19-20-22-----|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|

|-20-22-20-19----------------------------20--22-24-22-20------------------------|
|-------------22-20-19-22-20-19-20-22-24-----------------24-22-20-24-22-20------|
|--------------------------------------------------------------------------23~~-|
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|


Guitar Lick 2.

This is a great alternate picking exercise. Play it nonstop for at least 5 minutes. Do this 5 times a day.

|----------------------------12----------------------------------13---------|
|----------13----------------------------------13---------------------------|
|-13-14-16----16-14-13-14-16----16-14-13-14-16----16-14-13-14-16----16-14---|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|


danielarlington@gmail.com

AMT Fatal Tube Distortion Pedal.

AMT Electronics Fatal Tube:

Fatal tube is the perfect choice for players who prefer a hint of tube tone with their metal. Similar to the AMT Metalizer, but with added tube characteristics and more knobs for greater tone control. Equipped with Level, Low, High, Drive, Gain, and Contour knobs. Guitarist have a wide range of sounds can be generated from the Fatal Tube. Secretly used by many professionals, who don't want to give away their signature sound. One of the best selling among the AMT line, just listen and see why.

All AMT pedals are designed to sound qually as good through an amp or direct recorded due to built-in cabinet emulation circuitry.Perfect for live performance and in the studio. You must try one to believe it. The first time you plug one in, you will be instantly addicted to the "AMT Tone".

Technical Information:
Size: 112mm (4.4") x 72mm (2.8") x90mm (3.5")
Weight: 420g (14.8 oz)
Control: Level, Low, High, Drive, Gain, Contour
Jacks: IN, OUT
Power: DC 9V, 9V Battery or PSA (-) center Adapter

The AMT fatal tube has one of the best solo tones you can get out there. (Daniel A.)

Price = 6,500 INR (approx.)

danielarlington@gmail.com

Bonus Exercise. Enjoy.

This is a warm up exercise using groups of 14's (7's).

This is a sequence that I use in one of my Songs.


 G                                           F#dim
|----------15-17-19-17-15-----------------------------14-15-17-15-14--------------------|
|---------------------------------------------------------------------------------------|
|-16-17-19----------------19-17-16-19-17-16--14-16-17----------------17-16-14-17-16-14--|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|

 Em                                          D
|----------12-14-15-14-12-----------------------------10-12-14-12-10--------------------|
|---------------------------------------------------------------------------------------|
|-12-14-16----------------16-14-12-16-14-12--11-12-14----------------14-12-11-14-12-11--|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------------|

 C                                      Bm
|---------8-10-12-10-8-------------------------7-8-10-8-7----------------|
|------------------------------------------------------------------------|
|-9-11-12--------------12-11-9-12-11-9--7-9-11------------11-9-7-11-9-7--|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|

 Am                            G
|-------5-7-8-7-5--------------------3-5-7-5-3-------------------|
|----------------------------------------------------------------|
|-5-7-9-----------9-7-5-9-7-5--4-5-7-----------7-5-4-7-5-4-------|
|-----------------------------------------------------------5~~--|
|----------------------------------------------------------------|
|----------------------------------------------------------------|



danielarlington@gmail.com

M Audio Fast Track Pro Sound Card.

Features

Insert jack (¼” TRS) for outboard processors.

2 balanced outputs (¼” TRS).

4 unbalanced outputs (RCA).

S/PDIF digital I/O with w/ 2-channel PCM/

S/PDIF out also supports pass-through of AC-3/DTS surround-encoded content.

1 x 1 MIDI I/O with activity LEDs.

Headphone output (¼” TRS) with level control.

Headphone A/B source switch for DJ-style cueing.

Input/playback mix control for hardware direct monitoring.

Mono switch for input/playback direct monitoring.

Master output level control.

Near zero-latency hardware direct monitoring.

Low-latency ASIO software monitoring.

USB connection to computer.

Powered via USB or optional AC power adapter.

Kensington lock port.

Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher.

Includes Ableton Live Lite music production software so you can make music right away.

* 16-bit/48kHz 2 x 4 operation is class-compliant. Driver installation required to access more I/O

This is a brilliant budget sound card with two inputs. It has similar feature to the Mbox2.


Price = 12,000 (approx.)

Guitar Lick on 22th March, 2011

Tabbed by Daniel Arlington

Guitar Lick 1.

Played Slow

|-----------------------------7-8-10--t12-10-8-7-8-10--t12~~~--|
|--5-7-8--t10-8-7-5-7-8--t10-----------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|


Play Fast

|-----------------------------7-8-10--t12-10-8-7-8-10--t12-10-8-7---------------|
|--5-7-8--t10-8-7-5-7-8--t10---------------------------------------t10--8-7-5---|
|-------------------------------------------------------------------------------| 
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|

Guitar Lick 2.

|--14-10-14-10----10--14-10-14-10----10--14-10-14-10----10--14-10-14-10----10----|
|--------------12-----------------12-----------------12-----------------12-------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|

|--15-12-15-12----12--15-12-15-12----12--15-12-15-12----12--15-12-15-12----12----|
|--------------14-----------------14-----------------14-----------------14-------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|

|--17-14-17-14-----14--17-14-17-14----14--17-14-17-14----14--17-14-17-14----14---|
|---------------15-----------------15-----------------15-----------------15------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|

danielarlington@gmail.com

Guitar Lick 3.

Play in groups of 4's at 220 BPM

|-14-15-14-12----------------------------------------------------------------------------------|
|-------------15-13-12-15-13-12----------------12-13-15-13-12----------------------------------|
|-------------------------------14-12-11-12-14----------------14-12-11-14-12-11----------------|
|-------------------------------------------------------------------------------14-12-10-12-14-|
|----------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------|

|----------------------------------------------------------------------------------------------|
|----------------------------------------------------------------------------------------------|
|-11-12-14-12-11-------------------------------------------------------------------------------|
|----------------14-12-10-14-12-10----------------10-12-14-12-10-------------------------------|
|----------------------------------14-12-10-12-14----------------14-12-10-14-12-10-------------|
|----------------------------------------------------------------------------------14-12-10~~~-|


danielarlington@gmail.com

Behringer Studio Condenser Microphone C-1

Professional, large-diaphragm condenser microphone for unsurpassed audio quality.

Ideal as main and support microphone for studio and live applications.

Cardioid pickup pattern for outstanding sound source separation and feedback rejection.

Pressure-gradient transducer with shock-mounted capsule.

Pressure-gradient transducer with shock-mounted capsule.

Ultra-low noise, transformerless FET input eliminates low-frequency distortion.

LED indicates phantom power operation.

Swivel stand mount and transport case included.

Ultra-rugged construction with metal die-cast body.

Gold-plated 3-pin XLR output connector for highest signal integrity.

High-quality components and exceptionally rugged construction ensure long life.

Conceived and designed by BEHRINGER Germany.!

Its a great mic for a great price. Low budget studios or hobbyists should seriously consider this microphone.



Price = 6,000 INR (approx.) or try Amazon.com

Guitar Lick on 21th March, 2011

Tabbed by Daniel Arlington

Guitar Lick 1.

Play it fast.!!! Groups of 3's
|------------------------------------------------------------------14-15-17~~~~-----|
|----------13----------------13-15-17--15-13----13-15-17--13-15-17------------------|
|-12-14-16----16-14-12-14-16-----------------16-------------------------------------| (x repeat)
|-----------------------------------------------------------------------------------|
|-----------------------------------------------------------------------------------|
|-----------------------------------------------------------------------------------|

danielarlington@gmail.com

Tabbed by Daniel Arlington

Guitar Lick 2.

Play very fast.....!! Groups of 3's
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------11-12-14----|
|------------------------------10-12-14--10-12-14-------------|
|----------10-12-14--10-12-14---------------------------------|
|-10-12-14----------------------------------------------------|

|-------------------------------------------------14-15-17~~~-|
|------------------------------13-15-17--13-15-17-------------|
|----------12-14-16--12-14-16---------------------------------|
|-12-14-16----------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|

|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------12-14-16----|
|------------------------------12-14-16--12-14-16-------------|
|----------12-14-15--12-14-15---------------------------------|
|-12-14-15----------------------------------------------------|

|-------------------------------------------------15-17-19~~~-|
|------------------------------15-17-19--15-17-19-------------|
|----------14-16-17--14-16-17---------------------------------|
|-14-16-17----------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|

danielarlington@gmail.com

AKG Perception 220 Condenser Microphone Review.

The Perception 220 is a large-diaphragm true condenser microphone. It has a 1-inch large diaphragm. It is a very rugged microphone. It has a 20 dB attenuation pad switch. The microphone is perfect for guitar cabinet recording as it can handle sound pressure levels up to 155 dB. It has a brilliant frequency response of 20Hz to 20,000Hz. It has a 12 dB per octave low cut starting from 300 Hz. Its Polar pattern is Cardiod.


Recommend for Vocals, Guitar Cabinets and Acoustic Guitars.


Price - 15,000 INR (approx.)


A.O.S.A.M. 

Guitar Lick on 19th March, 2011

Guitar Lick 1.


|-------------------------------------------------------------------------------17-19-21~~~--|
|----------------------------------------------------------14-15-17--14-15-17----------------|
|--------------------------------------11-12-14--11-12-14------------------------------------|
|----------------------7-9-11--7-9-11--------------------------------------------------------|
|--------5-7-9--5-7-9------------------------------------------------------------------------|
|-2-3-5--------------------------------------------------------------------------------------|

danielarlington.tripod.com

Guitar Lick 2.


|--15-12----------12--15-12---------12--15-12----------12--15-12----------12--15~~~--|
|--------13-12-13-----------13-12-13----------13-12-13-----------13-12-13------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|



Keep repeating till your fingers fall off!!!
|--15-12----------12--|
|--------13-12-13-----|
|---------------------|  (x infinity)
|---------------------|
|---------------------|
|---------------------|


danielarlington@gmail.com

Guitar Lick on 18th March, 2011

Tabs by Daniel Arlington

Guitar Lick 1.

|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|----------------------------------------------10----------------10-12-14--|
|----------10----------------10-12-14-10-12-14----14-12-10-12-14-----------|
|-10-12-14----14-12-10-12-14-----------------------------------------------|

|--------------------------------------------------------------------------|
|----------------------------------------------13----------------13-15-17--|
|----------12----------------12-14-16-12-14-16----16-14-12-14-16-----------|
|-12-14-16----16-14-12-14-16-----------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|

|----------14----------------14-15-17----------14-15-17----------15-17-19-20~~~--|
|-13-15-17----17-15-13-15-17----------13-15-17----------15-17-19-----------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|
|--------------------------------------------------------------------------------|

Guitar Lick 2

Play fast.....!!
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------------------10-----------------10-12-14---|
|------------------------------10-12-14--10-12-14----14-12--10-12-14------------|
|----------10-12-14--10-12-14---------------------------------------------------|
|-10-12-14----------------------------------------------------------------------|

|-------------------------------------------------------------------14-15-17~~~-|
|------------------------------------------------13-15-17--13-15-17-------------|
|----------12-----------------12-14-16--12-14-16--------------------------------|
|-12-14-16----16-14--12-14-16---------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|

A.O.S.A.M. Audio Production Course Starting on the 28th of March, 2011

The Academy of Sound and Music is starting a course in Audio Production at the Laxmi Nagar Branch. The Audio Production department is headed by Mr. Yogesh Manase from Mumbai and Daniel Arlington from Nagpur. This is the first Academy for Audio Production is Nagpur and maybe even Central India!

The Modules Offered are:-

Introduction to Audio:

Learn the phenomenon of wave theory, basic electronics, decibels and the human auditory system.

Studio Equipment and Routing:

An in depth study about a professional studio setup and routing.

Music Theory and Keyboards:

Learn the basics of western classical music theory on keyboards with a research on Indian music.

Electronic Music Production:

Learn the art of creating music on Protools, Logic Pro and Nuendo.

Mixing and Mastering:

Learn the art of mixing dynamically in a space of frequencies.

Digital Technology and Broadcasting:

An in depth study of the modern age recording technology and radio broadcasting concepts.

Post Production and Live Sound:

Learn the art of post production using Nuendo and learn the concepts of live sound.

Call 9890837311 for details.

email: danielarlington@gmail.com

Classic Chromatic Exercise.

Here is a small piece that I composed. Hope you guys enjoy it.!

Tabbed by Daniel Arlington
Composed by Daniel Arlington

Tempo = 200 bpm
                                                   
E||--12-11-10-9-------------------------------------|
B||-------------13-12-11-10-------------------------|
G||-------------------------13-12-11-10-------------|
D||-------------------------------------14-13-12-11-|
A||-------------------------------------------------|
E||-------------------------------------------------|
                                                 
--------------------------------------13-14-15-16-|
--------------13-14-15-16-------------------------|
--------------------------13-14-15-16-------------|
--14-15-16-17-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--20-19-18-17-------------------------------------|
--------------21-20-19-18-------------------------|
--------------------------21-20-19-18-17-16-15-14-|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--------------------------13-14-15-16-------------|
--------------------------------------14-15-16-17-|
--17-16-15-14-13-14-15-16-------------------------|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--------------------------------------12-13-14-15-|
--------------------------13-14-15-16-------------|
--------------13-14-15-16-------------------------|
--14-15-16-17-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--19-18-17-16-------------------------------------|
--------------20-19-18-17-------------------------|
--------------------------20-19-18-17-16-15-14-13-|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                              
--------------------------------------------------|
--------------------------------------------------|
--17-16-15-14-------------------------10-11-12-13-|
--------------18-17-16-15-11-12-13-14-------------|
--------------------------------------------------|
--------------------------------------------------|
                                       
--7-8-7-8---------9-10-9-10-------------|
----------8-9-8-9-----------10-11-10-11-|
----------------------------------------|
----------------------------------------|
----------------------------------------|
----------------------------------------|
                                                 
--------------------------10-11-12-13-14-15-16-17-|
--------------11-12-13-14-------------------------|
--11-12-13-14-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--------------------------14-15-16-17-18-19-20-21-|
--------------15-16-17-18-------------------------|
--15-16-17-18-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                
--------------------------13-14-15-16-17-18-19-20-|
--------------14-15-16-17-------------------------|
--14-15-16-17-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                 
--------------------------10-11-12-13-14-15-16-17-|
--------------11-12-13-14-------------------------|
--11-12-13-14-------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|

--12-13-14-15--------------------7-8-9-10-|
------------------------------------------|
--------------9-10-11-12-4-5-6-7----------|
------------------------------------------|
------------------------------------------|
------------------------------------------|
                                         
--9-10-11-12-----------------5-6-7-8-|
-------------------------------------|
-------------6-7-8-9-2-3-4-5---------|
-------------------------------------|
-------------------------------------|
                         
--3-4-5-6--------------------------|------------------------------------|
----------5-6-7-8------------------|--5-6-7-8---------------------------|
------------------6-7-8-9----------|----------6-7-8-9-------------------|
--------------------------7-8-9-10-|------------------7-8-9-10----------|
-----------------------------------|---------------------------7-8-9-10-|
-----------------------------------|------------------------------------|
                                                 
--8-5-------------6---8---8-6-5-----5-8-----------|
------6---6---8-----------------8-6-------8---6---|
--------5---5---5---5---5---------------5---5---5-|
--------------------------------------------------|
--------------------------------------------------|
--------------------------------------------------|
                                                                     
--------8---------5-8-------------8---8-5---------|------------------||
--8---6-----6-8-6-----6---8---6-----------8-6-8-6-|------------------||
----5-----5-------------5---5---5---5-------------|------------------||
--------------------------------------------------|------------------||
--------------------------------------------------|------------------||
--------------------------------------------------|------------------||

email: danielarlington@gmail.com

A.O.S.A.M.

I have finally started A.O.S.A.M. the Academy of Sound and Music in Nagpur, India. This Academy offers courses in Audio Production and also assists students in getting jobs.

The Academy also teaches Guitar, Drums, Vocals, Bass and Keyboards.

I will also start posting lessons, equipment reviews, tips and tricks in Audio Production on my blog.

Regards,

Daniel A.